Architecture exhibitions typically struggle to deal with the problem of the absent object. When you can’t actually fit the main exhibit inside the gallery space it’s tempting to revert to the default option of the all-too-familiar ‘book-on-the-wall’. In other areas, museums have been keen to move away from this predominantly text-based model, preferring instead to … Continue reading
Surprisingly little has been written about the creative use of sketching as a tool for the design process. Particularly the question of how it is possible for the architect to discover something new about the emerging design within the act of drawing. Typically, a vague and half formed idea of how a space could be configured is … Continue reading
Much of Graham Harman’s so-called ‘object-oriented philosophy’ takes up Martin Heidegger’s account of the nature of tools and equipment, as set out in the first part and first division of his major work Being and Time. The key problem I have with Harman’s reading of this account is the overly binary view of perception which … Continue reading
‘Seeing and Being-Seen’: In the second section of ‘Eye and Mind’ Merleau-Ponty describes what goes on in the act of making paintings – an intertwining of body and world that also serves as the model for perception in general. There are a number of ways of understanding this process of intertwining, all of which involve … Continue reading
One of the latest products of Columbia University’s formidable factory of theory is Jorge Otero-Pailos’ book Architecture’s Historical Turn [1] which threatens to overturn at least two longstanding conventions. One is that the rise of postmodernism in architecture was mainly due to the influence of structural-linguistic and semiotic models of meaning and communication; the other … Continue reading
In a recent lecture at the University of Nottingham, David Leatherbarrow (University of Pennsylvania) set out what might be called – in an echo of his Philadelphia neighbours Robert Venturi and Denise Scott-Brown – a ‘gentle manifesto’ for a not-too-complex-but-just-a-little-bit-contradictory approach to contemporary design. [1] In a typically precise and measured delivery, and in language … Continue reading
Tim Ingold likes to rough-up the edges of things. As an anthropologist he’s more interested in people than architecture-as-such, but whether he’s talking about objects, buildings or bodies, the boundaries between them soon become fuzzy. In a way reminiscent of the philosopher David Hume’s idea of the self as a ‘bundle or collection of different … Continue reading
The engineer and educator Peter McCleary, in an essay that leans heavily – as most things do in the philosophy of technology – on the writings of Martin Heidegger, asks a curious but interesting question: “What are the characteristics of knowledge derived during the production of the built environment?” [1]. McCleary claims that by picking … Continue reading
The latest exhibition at Nottingham Contemporary puts together two unlikely subjects – the disputed territories of Israel and Palestine and some rough-and-ready cardboard mock-ups of 1960s American villas. Galleries 1 and 2 are occupied by DAAR (Decolonizing Architecture/Art Residency) a three-person art and architecture collective based in Palestine. Called ‘Common Assembly’ the work in the show is … Continue reading
With the semester one marksheets still smouldering in the fireplace, yesterday it was back to the lecture room to start all over again – this time on 5th year/masters module ‘Rethinking Architecture’ (which should really be called ‘Rethinking Technology’ – a long story..). Not sure why they gave us a room big enough for 160 … Continue reading