Authored and Edited Books:
Amazon page for Jonathan Hale
Edited by Suzanne MacLeod, Laura Hourston Hanks, Jonathan Hale (Routledge, 2012)
This book is the outcome of a 3-day international conference called ‘Narrative Space’ that took place at the University of Leicester in April 2010. The event was the result of a collaboration between Leicester’s School of Museum Studies and the Department of Architecture & Built Environment at the University of Nottingham. The book brings together a series of papers looking at the potential of narrative – in its various forms – as a communicative tool in a spatial context. This involves thinking of the museum as a ‘narrative environment’, designers and curators as ‘spatial storytellers’, and the museum or gallery visitor as a creatively interactive ‘reader’. My own work in this area connects with my broader interest in the implications of human embodiment: specifically the ways in which our experience of the museum is inevitably structured by the forms, patterns and habits of our bodily existence.
Hale, J., “Narrative Environments and the Paradigm of Embodiment”, in MacLeod, S., Hourston Hanks, L., Hale, J., (eds), Museum Making: Narratives, Architectures, Exhibitions, Abingdon: Routledge, 2012. pp. 192-200. ISBN 978-0-415-67603-8.
Edited by Marco Frascari, Jonathan Hale, Bradley Starkey (Routledge, 2007)
In 2004, working with colleagues engaged in research on different aspects of architectural representation – historical, theoretical and practical – we were awarded funding from the Leverhulme Trust to bring Marco Frascari from North America to spend a semester at Nottingham. As well as a 2-day international conference in November 2004 including invited contributions from the philosopher Don Ihde, Alberto Perez-Gomez, Jane Rendell and Jonathan Hill, this collaboration also resulted in a Routledge book in the ‘AHRA Critiques’ series entitled From Models to Drawings. The publication also allowed us to bring together work that directly addressed the theme of embodiment in representation – most notably in the chapters by Paul Emmons (in relation to scale), Sam Ridgeway (in relation to construction) and Katie Lloyd-Thomas (on the language of building specifications).
Frascari, M., Hale, J., Starkey, B.K., (eds), From Models to Drawings: Imagination and Representation in Architecture, Abingdon: Routledge, 2007. ISBN 0-415-48798-6.
Edited by William W. Braham & Jonathan Hale (Routledge, 2007)
This book provides a survey of architectural literature published over the last 100 years addressing the impact of technology on the making and meaning of buildings. Focussing especially on the writings of architects – plus a number of urban and cultural theorists and philosophers – it includes several essays and extracts that specifically consider the relationship between technology and the body, some of which draw on the phenomenological analyses of technology developed by Martin Heidegger. Both Heidegger and Merleau-Ponty described the traditional hand-tool as an extension of the human body and I believe this notion can usefully be expanded to the scale of equipment, furniture and buildings. This approach is seen to hold the promise of a more productive reassessment of the role of technology in architecture in relation to the fundamentally embodied experience of space, form and materiality.
Braham, W., & Hale, J., (eds), Rethinking Technology: A Reader in Architectural Theory, Abingdon: Routledge, 2007, pp. 466. ISBN 0-415-34654-1.
Jonathan Hale (Black Dog Publishing, 2005)
Ends, Middles, Beginnings contains a critical interpretation of the work of Edward Cullinan Architects, presenting a selection of built and unbuilt projects from the early days of the practice in the 1960s up to the present. The book provides an original thematic analysis of the Cullinan design approach, structured around phenomenological and technological notions such as ‘Territories’, ‘Place Making’, ‘Cave and Horizon’, and ‘The Art of Making Buildings’. It concludes by situating the work of the practice in a broader historical and theoretical context, and drawing out the relationships between their sophisticated articulation of form and material (based on the embodied experience of the process of construction) and also the more political implications of their concern with sustainability, participation and user engagement.
Hale, J., Ends, Middles, Beginnings: Edward Cullinan Architects, London: Black Dog Publishing, 2005, pp. 288. ISBN 1-904772-17-X.
Jonathan Hale (Wiley, 2000)
This book provides a critical survey of contemporary hermeneutic practices in the field of architectural theory and criticism. It describes and analyses the dominant interpretive frameworks that emerged during the second half of the twentieth century and also presents their key historical and philosophical sources. A series of recent buildings are referred to as examples of how these approaches might be employed as interpretive strategies in architectural criticism, highlighting their possibilities and limitations, together with areas of conflict or complementarity. Based on the model of other recent texts in literary and cultural theory, the book calls for a stronger engagement with debates in related disciplines – such as history, philosophy and politics – in order to develop a more rigorous and theoretically informed approach to architectural criticism and design.
Hale, J., Building Ideas: An Introduction to Architectural Theory, Chichester: John Wiley & Sons, 2000, pp. 242. ISBN 0-471-85194-9.
Hale, J., Building Ideas: An Introduction to Architectural Theory, (trans. Fang, B., & Wang, T.), Beijing: China Architecture and Building Press, 2015, pp. 191. ISBN 978-7-112-17115-6.