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The Tectonic Sensibility

One of the problems that haunts any discussion of tectonics in architecture (typically defined as the raising of construction to an art form) is that it can often seem like an obvious fallacy is being committed, broadly of the pars pro toto variety. If we become too fixated on the fabric of the building as … Continue reading

Unlocked-for-Editing: Architecture and the Image

Surprisingly little has been written about the creative use of sketching as a tool for the design process. Particularly the question of how it is possible for the architect to discover something new about the emerging design within the act of drawing. Typically, a vague and half formed idea of how a space could be configured is … Continue reading

Harman on Heidegger: ‘Buildings as Tool-Beings’

Much of Graham Harman’s so-called ‘object-oriented philosophy’ takes up Martin Heidegger’s account of the nature of tools and equipment, as set out in the first part and first division of his major work Being and Time. The key problem I have with Harman’s reading of this account is the overly binary view of perception which … Continue reading

Eye and Mind

‘Seeing and Being-Seen’: In the second section of ‘Eye and Mind’ Merleau-Ponty describes what goes on in the act of making paintings – an intertwining of body and world that also serves as the model for perception in general. There are a number of ways of understanding this process of intertwining, all of which involve … Continue reading

Latest Book

Link to Routledge website

Hale, J., Merleau-Ponty for Architects. Abingdon: Routledge (July) 2016.

Latest Article

Material Imagination book cover

Hale, J. "Found Spaces and Material Memory: Remarks on the Thickness of Time in Architecture." In: MINDRUP, M., ed., The Material Imagination. Farnham: Ashgate, 2015, pp169-180.

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