In Jacques Tati’s 1967 movie Playtime the bus-loads of tourists who have come to visit Paris seem permanently marooned in a grey and endless suburban business centre. Caught in the spatial limbo of something like an infinite airport arrivals hall – the very archetype of the contemporary ‘non-place’ described by the anthropologist Marc Augé (Auge, … Continue reading
In his latest collection of essays subtitled ‘Anthropology, Archaeology, Art and Architecture’ [1] Tim Ingold continues his interdisciplinary investigations into the messy world of making. Written in a typically lively, direct and highly accessible style, one of the strengths of Ingold’s approach is the intimate connection between philosophy and field work – you get the … Continue reading
Architecture exhibitions typically struggle to deal with the problem of the absent object. When you can’t actually fit the main exhibit inside the gallery space it’s tempting to revert to the default option of the all-too-familiar ‘book-on-the-wall’. In other areas, museums have been keen to move away from this predominantly text-based model, preferring instead to … Continue reading
‘Seeing and Being-Seen’: In the second section of ‘Eye and Mind’ Merleau-Ponty describes what goes on in the act of making paintings – an intertwining of body and world that also serves as the model for perception in general. There are a number of ways of understanding this process of intertwining, all of which involve … Continue reading
The latest exhibition at Nottingham Contemporary puts together two unlikely subjects – the disputed territories of Israel and Palestine and some rough-and-ready cardboard mock-ups of 1960s American villas. Galleries 1 and 2 are occupied by DAAR (Decolonizing Architecture/Art Residency) a three-person art and architecture collective based in Palestine. Called ‘Common Assembly’ the work in the show is … Continue reading